
Want to hear exotic music from Marrakech, Istanbul and Cairo? Then this CD might be up your alley. It delivers a good mix of dufferent styles and artists from Africa, the Middle East and India that everyone can enjoy, even if you aren’t particularly knowledgable about it. On this CD you get skillful ‘ud playing from the Nubian Hamza el-Din, haunting melismatic vocals by Azam Ali of Vas and Indian singer Najma, a New Age duet with belly dance master Hossam Ramzy and Phil Thornton, Palestinean dance music from Simon Shaheen, Jewish ethno-techno from Zohar, Greek pop music from Kristi Stassinopoulou, ambient Moroccan trance music and so much more. This isn’t neccessarily traditional music, nor is it some sort of in-depth look at Middle Eastern music, but its good listening. And besides, how often do you get to hear Palestinean, Sudanese, Moroccan, Indian, Persian, Israeli and Greek music side-by-side? Think of it more as a journey of the mind. In that regard, its a great compilation, and well worth the purchase.
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The seventh symbol is the Yin Yang symbol on the very top of the mirror. I love the philosophy behind this symbol which states that opposing forces are interconnected and interdependent in the natural world, giving rise to each other in turn. The ninth symbol is the hookah which represents my love to smoking. I love everything about smoking World Hookah cigarettes and tobacco in general: the cloud of smoke that I puff, the lighter that I use to light a cigarette or charcoal, the way I hold the hookah pipe or the cigarette, and even the smell of smoke. The hookah goes even beyond these simple things to the extent that it’s the thing that takes me back home to my Arabic roots and the collective life. The last symbol is the laptop which represents today’s tragedy. It’s the tool that I spend most of my time with. It’s ironic how because of technology, a lot of us today lost the sense of touch with other people because of some means of technology; we say hello online, we play online, we talk online, and we smile and cry, not with friends and family, but in front of plastic screens that omit light waves. The laptop became a symbol for loneliness.
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This is a compilation of East-West fusion, exotic without being too unfamiliar. It’s reminiscent of the Café Del Mar series, but more worldy, rather like the work Australian Michael Askill did with Omar Faruk Tekbilek, where the sounds of traditional and western instruments highlighted by some serious percussion create beautiful effects and spine-tingling excitement. From the rich sensuous voices of Greece’s Kristi Stassinopolou and India’s Najma to the tasteful desert evocations created by Egyptian stars Hamza El Din and Hossam Ramzy or Palestine’s Simon Shaheen, from the industrial creation of India’s Jai Uttal to the mellow jazzy meanderings of Senegal’s Steve Shehan and Youssef el Idrissi, the range of sound tapestries presented here make for interesting discovery. Yet despite the variety of sources, there is, as the title of the album suggests, a consistent atmosphere here of alluring mysticism that’s hugely attractive, helped along by high quality recordings and productions. Nicely presented but without sleeve notes, an above average world fusion compilation.