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Hookah Cafe Interesting Article

hookah-for-sale Hookah Cafe Interesting Article

Want to hear exotic music from Marrakech, Istanbul and Cairo? Then this CD might be up your alley. It delivers a good mix of dufferent styles and artists from Africa, the Middle East and India that everyone can enjoy, even if you aren’t particularly knowledgable about it. On this CD you get skillful ‘ud playing from the Nubian Hamza el-Din, haunting melismatic vocals by Azam Ali of Vas and Indian singer Najma, a New Age duet with belly dance master Hossam Ramzy and Phil Thornton, Palestinean dance music from Simon Shaheen, Jewish ethno-techno from Zohar, Greek pop music from Kristi Stassinopoulou, ambient Moroccan trance music and so much more. This isn’t neccessarily traditional music, nor is it some sort of in-depth look at Middle Eastern music, but its good listening. And besides, how often do you get to hear Palestinean, Sudanese, Moroccan, Indian, Persian, Israeli and Greek music side-by-side? Think of it more as a journey of the mind. In that regard, its a great compilation, and well worth the purchase.


Do I need a smoking or alcohol license for my hookah cafe?
I'm trying to find as much as I can online, but this is in WV. Our online filing site doesn't give the option of smoking Hookah Cafe in a cafe. ALL bars in the entire state allow smoking. We haven't been banned from that (yet). Since I can't find the license for sale/use of tobacco.. do I just need one for alcohol? I don't understand. Hookah cafe is like a regular cafe.. except there is a flavored tobacco to smoke from a "hookah".. which to most people looks like a bong I guess.
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4 Responses to “Hookah Cafe Interesting Article”

  1. Hendrix says:

    No more words are necessary – just buy it!

  2. Lovett says:

    This is a compilation of East-West fusion, exotic without being too unfamiliar. It’s reminiscent of the Café Del Mar series, but more worldy, rather like the work Australian Michael Askill did with Omar Faruk Tekbilek, where the sounds of traditional and western instruments highlighted by some serious percussion create beautiful effects and spine-tingling excitement. From the rich sensuous voices of Greece’s Kristi Stassinopolou and India’s Najma to the tasteful desert evocations created by Egyptian stars Hamza El Din and Hossam Ramzy or Palestine’s Simon Shaheen, from the industrial creation of India’s Jai Uttal to the mellow jazzy meanderings of Senegal’s Steve Shehan and Youssef el Idrissi, the range of sound tapestries presented here make for interesting discovery. Yet despite the variety of sources, there is, as the title of the album suggests, a consistent atmosphere here of alluring mysticism that’s hugely attractive, helped along by high quality recordings and productions. Nicely presented but without sleeve notes, an above average world fusion compilation.

  3. Childs says:

    This is a compilation of East-West fusion, exotic without being too unfamiliar. It’s reminiscent of the Café Del Mar series, but more worldy, rather like the work Australian Michael Askill did with Omar Faruk Tekbilek, where the sounds of traditional and western instruments highlighted by some serious percussion create beautiful effects and spine-tingling excitement. From the rich sensuous voices of Greece’s Kristi Stassinopolou and India’s Najma to the tasteful desert evocations created by Egyptian stars Hamza El Din and Hossam Ramzy or Palestine’s Simon Shaheen, from the industrial creation of India’s Jai Uttal to the mellow jazzy meanderings of Senegal’s Steve Shehan and Youssef el Idrissi, the range of sound tapestries presented here make for interesting discovery. Yet despite the variety of sources, there is, as the title of the album suggests, a consistent atmosphere here of alluring mysticism that’s hugely attractive, helped along by high quality recordings and productions. Nicely presented but without sleeve notes, an above average world fusion compilation.

  4. Kaasen says:

    No more words are necessary – just buy it!